Purpose The purpose was adding to performing arts a way to create that challenges sexual, racial, gender and class inscriptions, by the understanding of how transformation processes happen.

Jorge de Albuquerque Vieira in the book Teorias do conhecimento e arte also gave me valuable insights about Gnosiology and made clear that I would enter the field of complexity. “We are victims of evolutionary irreversibility, we have gained a level of complexity and we often don’t know how to

“(…) we make sense of the world and do so by working with a form of representation”. Tom Barone & Elliot W. Eisner Very early in the process, I was collecting materials and drawing essays as esthetical propositions for the map and to translate the residual expressions collected from old

This kind of evening of proper human exchange is what should be called a FireWire connection. Was shared with High-speed communications between senses for bodies that are able to Plug and Play in this creative mode. Results of Isochronous events for who is living Real-time. All to witness the fire

Recipe Descarrego I The Descarrego da Escuta appeared during the process when I was investigating rituals. “Ritual forms an indispensable part of the experiential basis for our cultural metaphorical systems. There can be no culture without ritual”. (Metaphors we live by) The residual expressions made me look more carefully to

How to display the map? It was not planned to make a performance or exhibition of the research. The first idea was to live the process and think about a way to open it as part of another project. At the same time, with all the COVID situation back in

Look back One part of the mapping process is to create bridges between the memories of the experiences and the present moment. Visiting the archive of residual expression means digging into old notebooks, lost fragments of digital content, audio records, images on clouds, personal chats, dreams, and labyrinths. Each visit